3/22/2023 0 Comments Artstudio pro 3![]() Emily is one of the first instances of that escaping out into the wild."īirthday cakes and party hats are common motifs in Koch's recent work. "The projection stuff that Emily's incorporating was stuff that we prototyped here. Which is our collective, is just to create an experimental space for stuff that you wouldn't normally see," said Benoit, standing outside the warehouse as dump trucks rumbled past. ![]() "We're going to transform it into a scene of a birthday party table that's kind of been used, and and then there will be this magical, sort of psychedelic, dreamlike cake in the center." "It's going to be a cake with projections coming from underneath," she said. Near the blanket fort, Koch has a table that will become the base for another piece in the UWS show. "It's great having someone who is a musician that knows how to set up sound stuff, and someone who's a woodworker and knows how to cut wood and fix things, and somebody who is amazing with technology." "We all like to help each other out," said Koch. "She's applying that to some interesting ideas about nostalgia and how we construct it." "She's always been committed to this quality of skill in her painted work, and now in the direction she's going with installation pieces," said Dugan about Koch. We're really going to try and transform the gallery space." "We're going to be doing some installation pieces as well. "There's going to be some paintings," said Koch. 14, that space will host Koch's first full-fledged gallery exhibition. You feel it in your teeth."ĭugan teaches art history at UWS, where she also manages the Kruk Gallery. You have these teals and pinks and reds that are really luscious and mouthwatering and candy-popping, and yet also sort of sickeningly sweet. "The kind of color that she's interested in is fascinating, because it is both alluring and then unsettling. To be clear, Dugan meant that as a compliment. "They're all a little off, right?" asked Annie Dugan about Koch's portraits. "I try to inject some nostalgia, some childishness, but then in the subject matter, something more sinister." "A lot of the inspiration behind this series comes from my desire to reconnect with the inner child, but also what I like to call it is honoring the reality of life," said Koch, sitting in her studio last week. Koch's recent pieces fall into a series called "Trauma Queens." ![]() "People were really very nice about that, and a lot of people told me that it made them feel good to see the woman hugging the chicken." This was the first Homegrown since the pandemic and I wanted to do something that felt a little more isolated, maybe to reflect the experiences that everyone had gone through," said Koch. "A lot of the Homegrown guides from years prior were these scenes of many, many people and crowds. (A chicken has long been the festival's visual symbol.) Even in Koch's painting for this year's Duluth Homegrown Music Festival Field Guide, there's an air of ineffable sadness to a flower-crowned figure embracing an indifferent fowl. Makeup runs down one face, another is streaked with what might be blood. Her recent subjects typically have expressions that are disaffected at best, vaguely distressed at worst. Amusement park colors and playful props convey a joyful exuberance, but the oil portraits are also suffused with melancholy. A 2020 graduate of the University of Wisconsin-Superior, Koch (pronounced like the cola brand) has developed a distinctive style of portraiture. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |